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Joined 2 months ago
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Cake day: June 6th, 2025

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  • My boss tried to get everybody to use LLMbeciles for work. He was taken in by the fakery and set up a commercial OpenAI account.

    I refused to use it. Ever. Like to the point that I never even collected my ID and password.

    Others used it, but it was, as always, a time-waster where it looked like they were making gains at the start, only to get bogged down when important details entered the picture. So I quietly got my work done while others wrestled with AI. Then by the end of six weeks nobody was using it and my boss quietly shut down the account.









  • I’m sure the boycott will soften somewhat after Trump leaves (presuming he isn’t made President for Life and heralding a new era in American governance) because people have short memories and will forget that almost all American officials at every level were either directly working for his platform or just sitting ineffectually at the side pretending to do anything but not really stopping it.

    But it will only soften. It will not be over. Not for most Canadians alive today. The USA poisoned its brand but good and by the time Trump has stopped raging like a bull in a china shop, Canadians will have found new favourite brands and suppliers and such and American brands will be dead anyway.

    Because once I find something I like, why would I go back just because the old brand says “but we’ve chaaaaaaaaaaaaaaaaaaaaaaaaaanged!”


  • spoiler

    It seems that Hollywood goes out of its way to actively undermine female characters in superhero movies. This dates back to 1978 where Christopher Reeve gets huge amounts of money (by the standards of the time: $55 million) to be Superman, complete with the simpering “help me, Superman!” Lois Lane. But six years later, in 1984, Supergirl gets only $35 million and some of the worst writing in movie history. The subsequent (obvious!) failure is then used as an excuse to say “the public doesn’t want women superheroes”, an attitude that’s held to this day.

    And the pattern repeats over and over again. Off the top of my head in no particular order: Elektra and Black Widow, some of the best and most iconic female characters in comics (though both are drawn to the male gaze, natch) get turned lame in their solo films. Wonder Woman does well, despite the crap writing in the third act, so it is immediately undermined by the release of WW 1984 because “nobody wants a woman superhero”. (And do I even have to mention Catwoman?) Captain Marvel got a huge budget, but was then so badly marketed that people were whining about a “girl power wins all!” theme that wasn’t even in the film! Because we can’t have a powerful female lead. Only supporting female character superheroes.

    There have been four big-budget, female-led superhero movies in the past 15 years: Wonder Woman, Wonder Woman 1984, Captain Marvel, and Black Widow. Wonder Woman was good (minus the bad third act). Its follow-up was just god-awful with one of the creepiest sexual assault storylines played as “romantic” and a pretty active undermining of the lead character in the process. Captain Marvel was … an MCU film, so fairly generic story that was clearly written after the SFX sequences were designed (read: really kind of lacklustre), and was marketed in such a way as to be an active turn-off for the Marvel fan base. Black Widow was … again, it was an MCU film so the story was written after the SFX were designed and it showed again in a lacklustre story that despite this time being marketed properly still led to underperformance.

    In that same time frame there were about 25 big-budget superhero movies made with male leads. The male-led superhero movies mostly (aside from Captain Marvel) got larger budgets (Wonder Woman got about $100 million while Superman v. Batman, an absolute stinker of a film, got $200 million), more marketing, better marketing (coughCaptain Marvelcough), and in general a whole lot more studio support.

    So it’s utterly unsurprising that Yet Another Superman Movie got bad female representation. It’s par for the studio course.